{"id":25570,"date":"2026-10-10T15:11:35","date_gmt":"2026-10-10T13:11:35","guid":{"rendered":"https:\/\/www.display-magazin.ch\/karlheinz-weinberger-photographe\/"},"modified":"2026-10-10T15:11:35","modified_gmt":"2026-10-10T13:11:35","slug":"karlheinz-weinberger-photographe","status":"publish","type":"post","link":"https:\/\/www.display-magazin.ch\/fr\/karlheinz-weinberger-photographe\/","title":{"rendered":"Karlheinz Weinberger: l\u2019outsider \u00e0 l\u2019appareil photo"},"content":{"rendered":"

Karlheinz Weinberger (1921 \u2013 2006) a photographi\u00e9 toute sa vie. Mais il est rest\u00e9 ouvrier jusqu\u2019\u00e0 sa retraite: vendeur de tapis et de meubles, puis responsable d\u2019un d\u00e9p\u00f4t d\u2019\u00e9clairage. \u00c0 ce sujet, il disait: \u00abCe que je faisais comme travail, je le faisais bien, mais cela ne m\u2019a jamais int\u00e9ress\u00e9. Je n\u2019ai v\u00e9cu que pour la photographie. Pour moi, ce qui comptait, c\u2019\u00e9tait la fin de la journ\u00e9e de travail, les week-ends et les vacances. Quand le rideau de fer descendait \u00e0 17 heures, mon temps commen\u00e7ait.\u00bb<\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Karlheinz Weinberger, ouvrier et photographe. (Photo: Karlheinzweinberger.ch)
\n<\/figcaption><\/figure>\n

Dans les ann\u00e9es 1950, Karlheinz a rejoint l\u2019organisation homosexuelle KREIS. Il s\u2019y faisait appeler Jim. Personne ne connaissait son vrai nom. Au sein du KREIS, il est toujours rest\u00e9 plus ou moins un \u00e9tranger, car ses int\u00e9r\u00eats se situaient en dehors du ghetto gay. Pourtant, sans le soutien financier d\u2019Eugen Laubacher\/Charles Welti, r\u00e9dacteur de la revue \u00abKreis\u00bb, il serait difficilement devenu connu.<\/p>\n

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Photo: Karlheinz Weinberger<\/figcaption><\/figure>\n
\n\t\t\t\t\t\t\t\t\t\t\"\"
Au centre: des loubards fans d\u2019Elvis.
\nEn bas: sc\u00e8ne de la pi\u00e8ce \u00abDer Elefant im Porzellanladen\u00bb (L\u2019\u00e9l\u00e9phant dans le magasin de porcelaine) avec
\nKarlheinz Weinberger alias Jim (au centre), 1957.<\/figcaption><\/figure>\n

Jim pr\u00e9f\u00e9rait les hommes de type ouvrier, il n\u2019aimait pas les \u00abintellectuels\u00bb. Ses images rendent visible l\u2019histoire humaine. Et il demeure en tout temps un ma\u00eetre de l\u2019\u00e9rotisme.<\/p>\n

Avec l\u2019exposition \u00abDie Halbstarken\u00bb (Les loubards) au Museum f\u00fcr Gestaltung de Zurich, Weinberger s\u2019est fait conna\u00eetre pour la premi\u00e8re fois d\u2019un large public en l\u2019an 2000. Les images provenaient de toutes les d\u00e9cennies \u00e0 partir de 1958. Plus tard, Weinberger a \u00e9galement rencontr\u00e9 le succ\u00e8s \u00e0 New York, Los Angeles et Toronto.<\/p>\n

Karlheinz Weinberger est d\u00e9c\u00e9d\u00e9 en 2006. Son fonds comprend un nombre encore inconnu d\u2019images. Elles sont \u00e0 peine l\u00e9gend\u00e9es. Weinberger lui-m\u00eame aurait toujours tout retrouv\u00e9 rapidement, racontent des t\u00e9moins de l\u2019\u00e9poque, mais le principe de classement est rest\u00e9 son secret. 10\u2019359 tirages ont \u00e9t\u00e9 num\u00e9rot\u00e9s \u00e0 ce jour. De nombreuses surprises sont encore \u00e0 attendre.<\/p>\n

\u00a0<\/p>\n

Photos tir\u00e9es des livres Swiss Rebels et Halbstarke Untitled, ca. 1960<\/strong><\/p>\n

Photos: Karlheinz Weinberger<\/strong><\/p>\n

\n\t\t\t\t\"\"<\/a>
\n\t\t\t\t Elvis, Hardau Z
\nu\u0308rich, ca. 1960
\n\t\t\t\t<\/figcaption><\/figure>\n
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\n\t\t\t<\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t<\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tOuvrier, publi\u00e9 dans \u2039Kreis\u203a 3\/1963.
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t<\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t<\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t<\/figure>\n
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\n\t\t\t<\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t<\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t<\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t<\/figure>\n

Texte: DISPLAY Online.<\/em><\/p>\n

Traduit de l\u2019allemand \u2013 article paru sur display-magazin.ch.<\/em><\/p>\n

Texte: DISPLAY Online.<\/em><\/p>\n

Traduit de l'allemand \u2013 article paru sur display-magazin.ch.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Entre quotidien ouvrier et sous-culture gay, Karlheinz Weinberger a cr\u00e9\u00e9 une \u0153uvre photographique unique. Ses images racontent l\u2019\u00e9rotisme, l\u2019identit\u00e9 et la r\u00e9bellion \u2013 et continuent aujourd\u2019hui encore d\u2019intriguer.<\/p>\n","protected":false},"author":45,"featured_media":25495,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[489],"tags":[],"class_list":["post-25570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"yoast_head":"\nKarlheinz Weinberger: l\u2019outsider \u00e0 l\u2019appareil photo | DISPLAY Magazin<\/title>\n<meta name=\"description\" content=\"Entre quotidien ouvrier et sous-culture gay, Karlheinz Weinberger a cr\u00e9\u00e9 une \u0153uvre photographique unique. 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