{"id":25126,"date":"2026-08-16T16:30:00","date_gmt":"2026-08-16T14:30:00","guid":{"rendered":"https:\/\/www.display-magazin.ch\/locarno-2026-top-10-films\/"},"modified":"2026-08-16T16:30:00","modified_gmt":"2026-08-16T14:30:00","slug":"locarno-2026-top-10-films","status":"publish","type":"post","link":"https:\/\/www.display-magazin.ch\/fr\/locarno-2026-top-10-films\/","title":{"rendered":"Queer, politique, sexe et fantaisie : notre top 10 de Locarno"},"content":{"rendered":"

Pendant onze jours, Locarno est redevenue la capitale du cin\u00e9ma ind\u00e9pendant. Entre premi\u00e8res mondiales, glamour de la Piazza et protestations politiques, le festival a montr\u00e9 \u00e0 quel point le cin\u00e9ma d’auteur peut \u00eatre sensuel, inconfortable et surprenant. DISPLAY a parcouru le programme \u2013 et ces dix films nous sont rest\u00e9s en t\u00eate<\/p>\n

1. I Rarely Wake Up Dreaming (Isabelle Stever)<\/h2>\n

Tendre et en m\u00eame temps implacable\u00a0: ce drame amoureux germano-ukrainien raconte l’histoire d’Olya et Oleh, un couple queer qui s’est form\u00e9 alors qu’ils \u00e9taient encore deux femmes \u2013 jusqu’\u00e0 ce que la transition d’Oleh entre en collision avec la grande invasion russe. Stever filme souvent \u00e0 distance respectueuse, \u00e0 travers des cadres de porte et des fen\u00eatres, comme si la cam\u00e9ra elle-m\u00eame \u00e9tait trop timide pour tant d’intimit\u00e9. Un drame de guerre intense sur le corps, l’amour et l’identit\u00e9 nationale, en comp\u00e9tition pour le L\u00e9opard d’or.<\/p>\n

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Photo: Locarno Film Festval | I Rarely Wake Up Dreaming <\/figcaption><\/figure>\n

2. Objet A (Ann Oren)<\/h2>\n

Clinique, kinky et compl\u00e8tement d\u00e9jant\u00e9\u00a0: apr\u00e8s \u00abPiaffe\u00bb, Ann Oren revient avec un cin\u00e9ma corporel encore plus audacieux. Deux chirurgien\u00b7ne\u00b7s de la main m\u00e8nent une vie conjugale r\u00e9gl\u00e9e au millim\u00e8tre \u2013 jusqu’\u00e0 ce que la myst\u00e9rieuse Gaia apparaisse et fasse vaciller tout l’\u00e9difice. F\u00e9tiches, spores de champignons, angoisse climatique, tourn\u00e9 sur une pellicule 16\u00a0mm sensuelle\u00a0: une r\u00e9flexion radicalement corporelle sur le toucher et le contr\u00f4le, qu’on n’oublie pas de sit\u00f4t.<\/p>\n

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Photo: Letterboxd | Object A <\/figcaption><\/figure>\n

3. Piluk (Elisapie Isaac, Marc S\u00e9guin)<\/h2>\n

L\u00e9ger comme une plume et pourtant profond\u00e9ment enracin\u00e9\u00a0: ce court m\u00e9trage d’animation dessin\u00e9 \u00e0 la main de dix minutes, produit par l’Office national du film du Canada, raconte l’histoire d’une jeune femme n\u00e9e d’une seule plume, qui cherche sa voie entre la toundra et la ville. La musique originale d’Elisapie Isaac porte les images au graphite et au pastel \u00e0 travers une \u0153uvre profond\u00e9ment po\u00e9tique sur les origines et la transmission.<\/p>\n

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Photo: Locarno Film Festival | Piluk<\/figcaption><\/figure>\n

4. A Margem do Rio \u2013 The Riverbank (Matheus Farias, Enock Carvalho)<\/h2>\n

Moite, dangereux et effront\u00e9ment s\u00fbr de lui\u00a0: ce premier long m\u00e9trage queer br\u00e9silien fait se rencontrer le nettoyeur d’\u00e9glise gay Izaquiel, en pleine s\u00e9ance de cruising nocturne, et le myst\u00e9rieux p\u00eacheur Jeremias \u2013 tandis qu’en arri\u00e8re-plan s’entrem\u00ealent religion, d\u00e9sir et une v\u00e9ritable intrigue criminelle. Sexopositif, atmosph\u00e9rique, politique\u00a0: l’un des films les plus audacieux du Concorso Internazionale.<\/p>\n

The Riverbank sur DISPLAY<\/a><\/p>\n

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Photo: Locarno Film Festival | A Margem do Rio<\/figcaption><\/figure>\n

5. The House on the Moon (Nelson Yeo)<\/h2>\n

Ludique et visuellement d\u00e9bordant\u00a0: Nelson Yeo, laur\u00e9at du L\u00e9opard en 2023 avec \u00abDreaming & Dying\u00bb, pr\u00e9sente un film de science-fiction wuxia sur la d\u00e9esse lunaire Chang’e \u2013 le premier film de ce genre \u00e0 Singapour. Un trip mythologique amoureux des genres, entre arts martiaux et m\u00e9lodrame spatial, qui montre \u00e0 quel point le cin\u00e9ma d’auteur s\u00e9rieux peut \u00eatre amusant.<\/p>\n

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Photo: Locarno Film Festival | The House on the Moon<\/figcaption><\/figure>\n

6. Nowhere To Lay My Eyes (Hong Sangsoo)<\/h2>\n

D\u00e9sinvolte et pourtant ac\u00e9r\u00e9 comme une lame\u00a0: dans son 35e long m\u00e9trage d\u00e9j\u00e0, Hong Sangsoo renvoie Sanghee (Kim Min-hee), apr\u00e8s dix ans, chez sa m\u00e8re sur l’\u00eele de Jeju. Minimaliste, riche en dialogues, plein de petits mensonges et de compliments \u2013 une nouvelle preuve du cin\u00e9ma irr\u00e9sistible du sous-entendu sign\u00e9 Hong.<\/p>\n

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Photo: Locarno Film Festival | Nowhere To Lay My Eyes<\/figcaption><\/figure>\n

7. The Invite (Olivia Wilde)<\/h2>\n

Bruyante, glamour et plut\u00f4t dr\u00f4le\u00a0: la com\u00e9die d’Olivia Wilde, avec Seth Rogen, Pen\u00e9lope Cruz et Edward Norton, a f\u00eat\u00e9 sa premi\u00e8re europ\u00e9enne sur la Piazza Grande devant 8000 personnes. Wilde s’est d\u00e9lib\u00e9r\u00e9ment battue pour une sortie en salles plut\u00f4t que pour un accord de streaming \u2013 une d\u00e9claration en faveur du grand cin\u00e9ma populaire qu’on lui accorde volontiers.<\/p>\n

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Photo: Locarno Film Festival | The Invite<\/figcaption><\/figure>\n

8. Destroy All Girls (Erin Vassilopoulos)<\/h2>\n

Brut, granuleux et sans repos\u00a0: Alex fuit son foyer \u00e9touffant du New Jersey et rejoint un groupe chaotique de rollers \u00e0 New York. Film\u00e9 en grain \u00e9pais, de fa\u00e7on fragmentaire, presque anthropologique \u2013 un portrait non poli de la qu\u00eate de soi adolescente, dont on sent presque l’odeur de la libert\u00e9.<\/p>\n

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Photo: Locarno Film Festival | Destroy All Girls<\/figcaption><\/figure>\n

9. Revolutionaries Never Die (Mohanad Yaqubi)<\/h2>\n

Une r\u00e9ponse tardive \u00e0 une invitation rest\u00e9e sans r\u00e9ponse\u00a0: Mohanad Yaqubi transforme une tentative de contact rest\u00e9e sans r\u00e9ponse en 2018 de la r\u00e9alisatrice Jocelyne Saab en un dialogue fictif. \u00c0 partir de 115 bobines d’archives, il monte une r\u00e9flexion \u00e9mouvante sur la r\u00e9volution et la m\u00e9moire au Proche-Orient \u2013 pr\u00e9sent\u00e9e dans la comp\u00e9tition parall\u00e8le Cineasti del Presente.<\/p>\n

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Photo: Locarno Film Festival | Revolutionaries Never Die <\/figcaption><\/figure>\n

10. Quelque Part Dans un Pays Libre (Antonin Peretjatko)<\/h2>\n

\u00c9tonnamment silencieux pour un r\u00e9alisateur habituellement connu pour ses com\u00e9dies\u00a0: Antonin Peretjatko a tourn\u00e9 ce court m\u00e9trage en d\u00e9cembre 2025 \u00e0 Kiev \u2013 pendant une rare p\u00e9riode de dix jours sans attaques de missiles ni de drones. Un regard discret et poignant sur un moment de silence au c\u0153ur de la guerre.<\/p>\n

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Photo: Locarno Film Festival | Quelque part dans un pays libre<\/figcaption><\/figure>\n

Ces films nous sont \u00e9galement rest\u00e9s en t\u00eate\u00a0: Kettic\u00e8<\/strong> de Giovanni Tortorici avec Monica Bellucci, le conte en stop-motion Donkey Princess<\/strong>, le drame glacial sur l’euthanasie de Denis C\u00f4t\u00e9 Nobody’s Violence<\/strong>, ainsi que Brave New Love<\/strong> de Maria B\u00e4ck.<\/p>\n

Le 79e Festival del film Locarno a prouv\u00e9 une fois de plus pourquoi il compte parmi les festivals les plus importants du monde\u00a0: \u00e0 la fois politique, radical et divertissant. Nous nous r\u00e9jouissons d\u00e9j\u00e0 de la prochaine \u00e9dition.<\/p>\n

Texte: Andreas Koch.<\/em><\/p>\n

Traduit de l’allemand \u2013 article paru sur display-magazin.ch.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Amour queer en temps de guerre, cin\u00e9ma corporel kinky, cruising au Br\u00e9sil et glamour hollywoodien sur la Piazza Grande : Locarno avait beaucoup \u00e0 offrir cette ann\u00e9e. Voici les dix films du 79e Festival del film Locarno qui nous sont particuli\u00e8rement rest\u00e9s en t\u00eate.<\/p>\n","protected":false},"author":72,"featured_media":22910,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[491],"tags":[],"class_list":["post-25126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"yoast_head":"\nQueer, politique, sexe et fantaisie : notre top 10 de Locarno | DISPLAY Magazin<\/title>\n<meta name=\"description\" content=\"Amour queer en temps de guerre, cin\u00e9ma corporel kinky, cruising au Br\u00e9sil et glamour hollywoodien sur la Piazza Grande : Locarno avait beaucoup \u00e0 offrir cette ann\u00e9e. Voici les dix films du 79e Festival del film Locarno qui nous sont particuli\u00e8rement rest\u00e9s en t\u00eate.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.display-magazin.ch\/fr\/locarno-2026-top-10-films\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Queer, politique, sexe et fantaisie : notre top 10 de Locarno | DISPLAY Magazin\" \/>\n<meta property=\"og:description\" content=\"Amour queer en temps de guerre, cin\u00e9ma corporel kinky, cruising au Br\u00e9sil et glamour hollywoodien sur la Piazza Grande : Locarno avait beaucoup \u00e0 offrir cette ann\u00e9e. 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