{"id":24593,"date":"2026-08-28T12:54:40","date_gmt":"2026-08-28T10:54:40","guid":{"rendered":"https:\/\/www.display-magazin.ch\/romeo-et-juliette-cathy-marston-zurich\/"},"modified":"2026-08-28T12:54:40","modified_gmt":"2026-08-28T10:54:40","slug":"romeo-et-juliette-cathy-marston-zurich","status":"publish","type":"post","link":"https:\/\/www.display-magazin.ch\/fr\/romeo-et-juliette-cathy-marston-zurich\/","title":{"rendered":"Rom\u00e9o et Juliette racont\u00e9s autrement: d\u00e9sir, intimit\u00e9 et une seconde histoire d’amour?"},"content":{"rendered":"

Les ballets classiques de Rom\u00e9o et Juliette racontent une histoire bien connue: deux jeunes gens tombent amoureux au premier regard, leurs familles s’y opposent, ils meurent. Cathy Marston, chor\u00e9graphe maintes fois prim\u00e9e, n’y change presque rien \u2013 et pourtant tout. Elle ne travaille pas sur l’intrigue, mais sur ce qui se trouve en dessous, le d\u00e9sir, y compris entre les hommes. Elle ne demande pas comment l’histoire se termine, mais: qui d\u00e9sire vraiment qui sur cette sc\u00e8ne?<\/p>\n

Rom\u00e9o pleure un homme<\/h2>\n

L’histoire se d\u00e9ploie sur une place de march\u00e9 o\u00f9 les fleurs marquent l’espace. Karen Azatyan, dans le r\u00f4le de Rom\u00e9o, se meut dans l’espace comme une \u0153uvre d’art \u2013 son corps est une fin en soi, non un moyen. Cheveux sombres, regard calme. Une beaut\u00e9 qui n’a besoin de personne et qui, pr\u00e9cis\u00e9ment pour cela, est irr\u00e9sistible.<\/p>\n

Soudain, la lumi\u00e8re s’\u00e9teint. La sc\u00e8ne sombre dans l’obscurit\u00e9. La mort de Mercutio est mise en sc\u00e8ne diff\u00e9remment. Non pas par un coup d’\u00e9p\u00e9e de Tybalt, mais par un miroir qui se brise, un d\u00e9placement qui va plus loin qu’une simple r\u00e9interpr\u00e9tation de surface. Charles-Louis Yoshiyama, qui interpr\u00e8te Mercutio, danse une agonie entre rire et pleurs. Le corps tombe, se rel\u00e8ve, plaisante, retombe. Ce n’est que peu \u00e0 peu que l’on comprend: le meilleur ami est perdu.<\/p>\n

\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tRom\u00e9o et Juliette, Cathy Marston 2025\/26. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"M\u00e4nner<\/a>
\n\t\t\t\tRom\u00e9o et Juliette, Cathy Marston 2025\/26. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tRom\u00e9o et Juliette, Cathy Marston 2025\/26. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n

Tendresse dans la mort<\/h2>\n

La proximit\u00e9 entre Rom\u00e9o et Mercutio devient palpable, des gestes qui prennent leur temps, des regards qui expriment une compr\u00e9hension qui d\u00e9passe les mots. \u00c0 cet instant se r\u00e9v\u00e8le: cette amiti\u00e9 porte un autre poids. C’est une intimit\u00e9 \u00e9motionnelle et physique \u2013 et elle est visible. Dans les mouvements, dans la proximit\u00e9 des corps, dans la tendresse avec laquelle Rom\u00e9o touche son ami mourant. C’est cela, le d\u00e9sir entre hommes: tacite, mais sans \u00e9quivoque.<\/p>\n

C’est dans ces d\u00e9placements subtils que r\u00e9side l’innovation de Cathy Marston: une masculinit\u00e9 qui n’a pas \u00e0 se justifier \u2013 fragile, tendre, empreinte de d\u00e9sir. Des corps qui se touchent parce qu’ils se d\u00e9sirent. C’est diff\u00e9rent de ce que nous connaissons \u2013 non pas la force, mais l’intimit\u00e9, le d\u00e9sir, la douleur de la perte. La proximit\u00e9 entre hommes y devient possible, et plus riche que ce que permet le r\u00e9cit traditionnel.<\/p>\n

\u00a0<\/p>\n

\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tRom\u00e9o et Juliette, Cathy Marston 2025\/26. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"\"<\/a>
\nRom\u00e9o et Juliette, Cathy Marston 2025\/26. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tRom\u00e9o et Juliette, Cathy Marston 2025\/26. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tPhotos de studio \u00abRom\u00e9o et Juliette\u00bb. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tPhotos de studio \u00abRom\u00e9o et Juliette\u00bb. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n
\n\t\t\t\t\"\"<\/a>
\n\t\t\t\tPhotos de studio \u00abRom\u00e9o et Juliette\u00bb. Photo: Carlos Quezada
\n\t\t\t\t<\/figcaption><\/figure>\n

Ballet de Cathy Marston<\/strong> d’apr\u00e8s la trag\u00e9die du m\u00eame nom de William Shakespeare. Musique de Sergue\u00ef Prokofiev<\/strong>. Repr\u00e9sentations en novembre et d\u00e9cembre 2026. Toutes les dates et informations billetterie sur opernhaus.ch<\/a>.<\/p>\n

Reportage: Nicola Walpen<\/b><\/strong><\/em><\/p>\n

\n\t\t\t\t\t\t\t\t\t\t\"\"
Photos de studio \u00abRom\u00e9o et Juliette\u00bb. Photo: Carlos Quezada<\/figcaption><\/figure>\n

\u00c9v\u00e9nements \u00e0 venir et billets<\/a><\/p>\n

Vendredi\u00a020\u00a0novembre \u00e0 19h00<\/p>\n

Vendredi\u00a027\u00a0novembre \u00e0 19h30<\/p>\n

Dimanche\u00a029\u00a0novembre \u00e0 13h00<\/p>\n

Dimanche\u00a006\u00a0d\u00e9cembre \u00e0 20h00<\/p>\n

Dimanche\u00a013\u00a0d\u00e9cembre \u00e0 14h00<\/p>\n

Samedi\u00a019\u00a0d\u00e9cembre \u00e0 19h00<\/p>\n

Samedi\u00a026\u00a0d\u00e9cembre \u00e0 19h30<\/p>\n

Pour la derni\u00e8re fois: dimanche\u00a027\u00a0d\u00e9cembre \u00e0 20h00<\/p>\n

Texte: DISPLAY Online.<\/em><\/p>\n

Traduit de l’allemand \u2013 article paru sur display-magazin.ch.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Cathy Marston met en sc\u00e8ne une nouvelle version de Rom\u00e9o et Juliette \u00e0 l’Op\u00e9ra de Zurich. L’histoire d’amour devient une histoire de d\u00e9sir. Le d\u00e9placement op\u00e9r\u00e9 par Marston r\u00e9v\u00e8le ce que l’histoire d’amour conventionnelle tient cach\u00e9.<\/p>\n","protected":false},"author":45,"featured_media":20949,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[489],"tags":[],"class_list":["post-24593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"yoast_head":"\nRom\u00e9o et Juliette racont\u00e9s autrement: d\u00e9sir, intimit\u00e9 et une seconde histoire d'amour? | DISPLAY Magazin<\/title>\n<meta name=\"description\" content=\"Cathy Marston met en sc\u00e8ne une nouvelle version de Rom\u00e9o et Juliette \u00e0 l'Op\u00e9ra de Zurich. L'histoire d'amour devient une histoire de d\u00e9sir. 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